You might just laugh at me when I say so but I think the film should be titled ‘You know What’ rather than ‘Kismat Konnection’. This particular line was repeated a zillion times and ‘You Know What’ Sanjay Chel (writer) ran out thoughts and kept on scribbling You Know What like a tape recorder licking its reel over and over again
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Shahid Kapur plays Raj, a struggling architect in Toronto who hasn't earned a dime in five years, but still manages to turn out in the trendiest of clothes day after day. Raj seems convinced that all he needs is a bit of luck to set him on the road to success. His lucky charm turns up in the form of Vidya Balan who plays Priya, an honest-to-goodness girl who, when she isn't busy ramming her car into Raj every other day, bides her time protesting against the construction of a mall where a community centre currently stands. As luck would have it, the contract for the construction of this mall is exactly what Raj is hoping to land, with a little help from his lucky charm.
Director Aziz Mirza pulls out every other plot point from his old hat and applies it in this film -- guy uses girl to further his career, guy falls for girl but she's already engaged, guy suffers from bout of good conscience and decides to give up everything in exchange for girl's love, girl feels betrayed when she finds out guy had been lying all along, guy admits his mistakes in a gathering filled with too many extras and wins girl's heart eventually. You see, you've heard this story before.
Intended as a breezy entertainer, Kismat Konnection -- like Mirza's previous films -- banks heavily on the audience's ability to relate to its characters and their simple everyday concerns. But it's impossible to relate to Mirza's cardboard characters who come with no back-story, no explanations whatsoever.
Because there's little to count on in terms of story, the fate of this film depends almost entirely on the likability of its leads. Shahid and Vidya deliver earnest performances, but they fail to rise above the flawed script. Saddest of all, they fail to ignite the kind of combustible chemistry one expects in a film of this nature. It doesn't help that the director himself shies away from giving them any intimate moments. The closest you get in terms of romance here, are two hugs between the couple -- both moments seriously lacking in any sparks.
The rest of the cast overacts beyond imagination, and a word here for Juhi Chawla who is dumped with the most annoying role she's ever played on screen. How could you do this to such a fine actress, Mr Mirza? Kismat Konnection doesn't work for many reasons, but perhaps its most fatal flaw lies in its snail-paced screenplay which includes so many boring scenes where nothing much happens. It's not entirely unwatchable, because the music's alright and the film's shot in a manner that's easy on the eye. But walking out of the cinema once the lights come back on, you're just glad it's finally over.
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